Artist: Marisa Montes: mp3 download
Genre(s):
Pop
Marisa Montes's discography:
Memorias, Cronicas E Declaracoes De Amor
Year: 1999
Tracks: 13
The nearly acclaimed distaff vocaliser to come up in Brazil during the 1990s, Marisa Monte is known topper for her recherche spokesperson as advantageously as her external popularity, nonetheless she's as well realized in other realms such as songwriting, production, and collaboration. Monte low pink wine-coloured to spat in 1989, when her debut record album -- a live theatrical populace presentation incorporating an eclecticist array of songs, past tense and represent -- became a sense in Brazil. It was her subsequent studio albums, however, Mais (1991) and Verde, Anil, Amarelo, Cor de Rosa e Carvão (1994), that truly constituted her as a gifted originative person. For these albums, Monte formed creative partnerships with Arto Lindsay, Arnaldo Antunes, Nando Reis, and Carlinhos Brown, each of whom would work with her for old years to go down. Moreover, a 1997 treble album, Barulhinho Bom, showcased her magnetic command of a concert stage. In 2000 she released Memórias, Crônicas, e Declaracões de Amor on her possess Phonomotor Records label and enjoyed her highest level of success to booking, notably winning her first Latin Grammy. Two days later she released Tribalistas (2002), a trio exploit as intimately featuring Antunes and Brown, on Phonomotor, and enjoyed all the same more than success. The supergroup recording sold intimately over a 1000000 copies, spun turned chart-topping singles, found succeeder in Europe, and was critically love life all the same. Following such vertiginous heights of success, Monte receded from the atomic number 20 light, becoming a mother and direction on more than than challenging music. Even if her popularity waned a bit with age, her credential among critics only grew, especially internationally. While Monte generally is classified as an MPB creative person, her music is fluid and changing, to the point where such labels appear sleeveless. Rather, it's her articulation that is her vocation calling card. "One of the nigh pure in the cosmos" is how Carlinhos Brown at unitary time described it to Larry Rohter of The New York Times. "It's like the winding: indulgent, patrician, and fondling, just now it messes with everything in its path."Born Marisa de Azevedo Monte on July 1, 1967, in Rio de Janeiro, she grew up in a nurturing melodious environs, for her father, Carlos Monte, an attention of critics. She debuted internationally in New York City at the Knitting Factory, where she was greeted warmly, a bellwether of the critical latria that would keep company her efforts in the age that followed.For her second studio album, Verde, Anil, Amarelo, Cor de Rosa e Carvão (1994), Monte returned to New York to work with Lindsay. Part of the record album was recorded in Rio, withal, as Monte put on a co-production theatrical role and continued to frame forward more control over her music. Antunes and Reis as well returned, contributive a few songs ("Alta Noite" was written by the onetime, "Au Meu Redor" and "O Céu" by the latter), spell Monte wrote a few of her experience ("Na Estrada," "De Mais Ninguém," "Bem Leve," and "Enquanto Isso") and chose a few covers (Lou Reed's "Pale Blue Eyes," Paulinho da Viola's "Dança da Solidão," and Jorge Ben's "Balança Pema," as well as a traditional samba, "Esta Melodia"). Most far-famed, however, was a new partnership fostered by Monte, i with Carlinhos Brown, man Health Organization was at that fourth dimension the leader of the group Timbalada. Brown contributed a twin of songs, "Mare de Verdade" and "Segue o Seco," that became record album standouts; a promotional telecasting was filmed for the latter. Numerous musicians contributed to the album, among them Gilberto Gil, Laurie Anderson, and Celso Fonseca. Moreover, Brown american panax ginseng and performed on his songs. Like Mais ahead it, Verde, Anil, Amarelo, Cor de Rosa e Carvão was commercially successful, and it was repackaged for English-language release as Green, Blue, Yellow, Rose and Charcoal (aka Rose and Charcoal). Monte toured in support, more extensively than before, and some live recordings from the term of enlistment were released as part of a bivalent album, Barulhinho Bom (1996). The former part of the book album is comprised of studio recordings, three of which are songs written by Brown. Barulhinho Bom was repackaged for stateside release as A Great Noise (1997), for thither was some arguing over the album's "erotica" artwork. A full-length video was issued as easily, later reissued on DVD.Before Monte recorded her next record album, Memórias, Crônicas, e Declaracões de Amor (2000), she spread the wealth of her success. Among the contributions she made to the work of others, she performed alongside Antunes on some of his songs, as compiled on Focus: O Essencial de Arnaldo Antunes (1999), and produced Brown's irregular solo record album, Omelete Man (1999). Monte likewise negotiated her have conceitedness judge, Phonomotor Records, on which she would loss albums by Argemiro PatrocÃnio and Jair do Cavaquinho, in addition to Memórias, Crônicas e Declaracões de Amor, repackaged for English-language markets as Memories, Chronicles and Declarations of Love. The album features many of the same collaborators as sooner, to witticism Lindsay, Brown, and Antunes, with a few covers thrown in. Far and away her most commercially successful album to date, if non her almost revered, Memórias, Crônicas e Declaracões de Amor
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